Happy Birthday to Billy Joel, who turns 72 on Sunday (May 9th)!!! The “Piano Man” has just added a new concert to his itinerary, with an October 23rd show in Austin, Texas, set for the Formula 1 2021 Aramco United States Grand Prix. The show will play at the Germania Insurance Super Stage, with tickets for the Formula 1 Grand Prix and concerts now on sale now via TheCircuit.com/F1.
The show marks Billy’s first Austin gig since November 17th, 1990 when he played the Frank Erwin Center, in support of his then-recent chart-topping 1989 set, Storm Front.
Last year, Billy and wife Alexis have announced that their Joel Foundation would be making a series of donations amounting to $500,000 for aid and relief for the coronavirus pandemic. The couple issued a statement explaining, “Our first donation will be $500,000 in the form of Personal Protective Equipment (PPE). BStrong (Bethenny Frankel‘s disaster relief initiative) will immediately purchase masks, corona (virus test) kits and hazmat suits for the doctors and nurses in hospitals that are in dire need.”
The Joel Foundation also donated $25,000 to Greenwich Village’s Smalls Jazz Club & Mezzrow. The club has created a nonprofit organization called SmallsLIVE Foundation for Jazz Art and Education.
Released in 2019 was the digital playlist, titled Live Through The Years, features 20 performances captured in concert between 1977 and 2006 — a few of which have only been available via concert video sets. Included on the set are previously unreleased live cuts recorded at such historic venues as Carnegie Hall; Nassau Coliseum; Yankee Stadium; Frankfurt, Germany’s Festhalle; the L.A. Sports Arena; and of course — Madison Square Garden.
Highlights on Live Through The Years include “Scenes From An Italian Restaurant,” “Prelude/Angry Young Man,” “She’s Got A Way,” “Allentown,” “The Ballad Of Billy The Kid,” “Piano Man,” “We Didn’t Start The Fire,” “My Life,” “Big Shot,” “River Of Dreams,” and more.
Among the deep dives featured on the set are: “Sleeping With The Television On,” “Vienna,” “You’re My Home,” “Get It Right The First Time,” and “A Room Of Our Own.”
In July 2015, Billy married longtime girlfriend Alexis Roderick with the couple welcoming their first child, daughter Della Rose, the following month. On October 22nd, 2018 Billy’s third daughter, Remy Anne Joel, was born at Manhattan’s New York University Hospital, weighing seven pounds, three ounces. Billy has a daughter — 35-year-old musician Alexa Ray Joel — from his second marriage to Christie Brinkley.
August 2018 marked the 25th anniversary since Billy Joel released his last studio rock album, River Of Dreams. The album, which peaked at Number One on the Billboard 200, featured the Top Three hit — and Billy’s last Top Ten hit to date — “The River Of Dreams.”
During Billy’s quarter-century exile from releasing rock music, aside from three live albums, he composed the 2001 classical album Billy Joel: Fantasies & Delusions (Music For Solo Piano) and in 2007 recorded two “pop” songs, the big band-inspired “All My Life” — which was produced by the late-Phil Ramone — and the rocker “Christmas In Fallujah” featuring vocalist Cass Dillon.
In March 2011, Billy released the CD/DVD set Billy Joel: Live At Shea Stadium, featuring appearances by Paul McCartney, Roger Daltrey, Steven Tyler, Garth Brooks, and Tony Bennett. That November, Billy underwent successful bilateral hip replacement surgery.
Billy Joel always credits the unique upbringing he received growing up as a baby boomer on Long Island as the son of a German father and a British mother: “A lot of music being played in then house — mostly classical music, when I was a kid. Broadway musicals, y’know, pop music from New York radio. (My) father would play piano, my mother would sing in Gilbert & Sullivan operettas; that’s where my parents met. It was a Jewish family, although I wasn’t brought up with any religious upbringing. I used to go to mass, ‘cause all my friends were Catholic. I thought that’s what you did on a Sunday — you went to mass, that’s what everybody did. Um, so, interesting mix of things.”
Although Billy is known as one of the top musicians in all of rock, he says that his musical limitations could actually be responsible for helping him creating his greatest songs: “I never really applied myself the way I should. I never practiced my scales. I’m limited, and in a way, I think my limitations have helped me as a pop music writer. Sometimes I’ll paint myself into a corner, and I don’t know how to get out, so I just come up with my own solution to get myself out of that corner. And that, in a way, is what may make my material original.”
The late-Phil Ramone was Billy’s closest musical confidante, and produced such classic multi-platinum albums for Billy as The Stranger, 52nd Street, Glass Houses, Songs In The Attic, The Nylon Curtain, An Innocent Man, and The Bridge. He told us shortly before he died in 2013 that Billy’s was a multifaceted man: “But, y’know, he’s a wonderful animal. He’s just so smart. And of course he comes off playing this tough Long Island kid — which is part of his background — but the rest of him is just amazing. He’s an amazing guy. Extremely intelligent and well read.”
Despite his fans clamoring for a new album, Billy says that he’s happy touring and playing his greatest hits and deep album cuts, but is equally content quietly writing instrumental music: “I guess these days I just think of myself as a classical composer. I have a piano at home and I write classical pieces — I don’t ever wanna call it classical pieces, it’s piano music. They could be used for an orchestra; some of these things might end up being used for a movie soundtrack. I’m not even all that anxious to have them performed. Right now all I’m interested is just composing.”
Wings drummer Denny Seiwell produced the early sessions for Billy’s 1971 solo debut Cold Spring Harbor. He recalls being amazed at his talent years before the rest of the world discovered “Billy Joel”: “I started producin’ Billy out in Long Island. All I remember was Billy was just awesome. He was phenomenal. In fact one night we were having a problem, we couldn’t get him to — he really had unbelievable piano chops and we couldn’t get him to slow this (sings piano riff). He wouldn’t slow down, so we said, ‘How ’bout we get you a bottle of booze, man?’ So we got him a bottle of gin (laughs), and he sat it on the piano bench and he just started sluggin’ away at this thing. We said, ‘Just let him chill out for a little while. We’ll slow him down.’ And the more he drank, the faster he got!”
Over the past two decades, Billy’s problems with alcohol popped up frequently in the press, resulting in his last stay at the Betty Ford Clinic in 2005. Two years before that, he appeared on NBC’s Dateline and spoke candidly about his relationship with the bottle: “I can abuse alcohol if the demons get me. I’ll go on a bender. It’s happened to me before. That’s why I went into rehab, I was on a binge, I was on a bender. And I said ‘This is stupid, I’ve got to stop.’ Then I went and I did stop and I’ve learned to recognize what those signs are.”
Billy Joel drew upon his high school years in Levittown, New York for his 1977 classic from The Stranger, “Scenes From An Italian Restaurant” — rated among his best by die-hards. He explained the song’s genesis during his appearance on Inside The Actors Studio: “That song started out, the middle part was called ‘The Ballad Of Brenda And Eddie.’ The thing I was trying to get across, and I’m sure we all know, there were people who peaked a little too early in life. When we were in high school, there were the people we thought were so cool — I thought, ‘Man, I wish I was that guy!’ With a perfect pompadour, he always had great clothes, he always had the coolest shoes, he always went out with the coolest girl. And then I saw him at the 10-year reunion, and this guy was like a caved-in ashtray. In high school, it was so important to be with the right crowd — in my era, maybe it’s the same in this era, I’m assuming there’s a certain amount of this that still goes on. But they were my heroes, these people. But then I said — ‘that’s not enough.'”
Billy Joel explained that it was written in the cards that barring a two year jaunt in L.A., playing in a piano bar — Long Island was his natural habitat: “My perspective of things all come from a Long Island point of view. I’ve realized that. I’ve traveled all over the world, I’ve traveled a lot in the United States — I wasn’t really sure where I was gonna end up — but the more I traveled, the more I felt this is where I’m from. I’m from this island that sticks out to the East of New York City. There really isn’t a lot of other places like Long Island. Sure, there’s a little bit of it in Jersey, a little bit of it in New England — a little bit of it. But Long Island is an Island. We’re isolated from everything else. We’re with each other — we all rub off on each other (laughs) for better or for worse, and that’s what makes us Long Islanders.”